In
Melissa Rubin's breakdown of a singular Coca-Cola ad from 1950, she argues that
Coca-Cola has been leading the way in pushing for an ideal America. In her
paper she describes how the placement of specific items within the ad are
pushing workers to have this picturesque idea about American workers working
together for a united country. When describing Sprite Boy, Coca-Cola's early
mascot, Rubin says the he is "god-like" and "a powerful
force," (178) to further illustrate her point of the company's goal of
togetherness and in turn, America coming together. Additionally, she points out
the emphasizing of the military personnel in the ad as to demonstrate to the
reader that since WWII has been won, military men are returning the workforce,
which is why they are presented in the very front of the ad. Rubin also notes
the large gender and racial biases that were present in America during the
late 1940’s and 50’s. As she observes,
The way that Coca-Cola chooses to
place the objects and depict men
and women in this ad speaks volumes
about American society in the
middle of the twentieth century: a
white, male-dominated society in
servicemen and veterans were a
numerous and prominent presence (179).
In her
conclusion, she again remarks how Coca-Cola reflected American ideals and norms
in it’s advertising, but also wanting to show the world what it was like to be
an American. She says it best with her closing statement, “The message: theirs is a life to be envied and emulated, so drink
Coca-Cola and live that life yourself” (180).
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